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SF Signal: How to Start Reading Science Fiction

SF Signal: Reading Science Fiction

In its ongoing service to humanity at large and sci-fi-loving  humanity in particular, SF Signal (Twitter: @sfsignal) presents an excellent “getting started guide” for those who have an interest in all or some part of the meta-genre but may have been put off by the seemingly inexhaustible ways that science fiction can be offputting.

Start here at Part 1 of the series.

The latest and last in the series, Part six 6 here, has links to all the parts.

The Money Quote: “Certain Distant Suns” – Joanne Greenberg

“As soon as I was out of the hospital I went to see her. [An aunt who stopped believing in gravity.] I was still weak, still separated by a great unmeasured gulf from the world, from anyone who has no serious doubts about rising whole the next morning and who tranquilly says ‘I will come.’, ‘I will go.’, as though he could make such promises.” – Joanne Greenburg, “Certain Distant Suns”

The short story is included in the anthology, Black Water: The Book of Fantastic Literature. Highly recommended.

KiTE: “Rollicking Sci-fi”… Book Blog Tour Update

Click on over to any of these fine blogs listed below for the full reviews and see what people are saying about KiTE. Or just go ahead and buy it by clicking this: KiTE is hard science fiction with heart.

The Book Connection (interview)

The Bec-ster
“This storyline is so new it just compelled me to want to keep reading. I had to see how it all ended.”

Syncopated Musings
“KiTE is not one of those books where you can check your brain at the door when you open its cover and begin to read.”

Elizabeth Mueller
“If computer programs wanted to take over the world, this would be the right book for them.”

I am a Pistacio
“Mr. Shears writes with a flavor reminiscent of Douglas Adams, but the resulting dish is entirely his own. Quite tasty.”

J. Lloyd Morgan
“When the “twist” of the book is revealed at the end, I found myself smiling. It was certainly clever.…I will give the following praise to the book: it’s like nothing I’ve read before. The author stays true to the tone and pacing of the book, which is always a plus.”

KiTE: Hard Sci-Fi with Heart

3/30 The Musings of a Hopeful Writer
3/31 Karen Adair
4/1 Why Not? Because I Said So.
4/2 My Life in a Laptop
4/4 mormonhermitmom’s book habit
4/11 T.J. Types TMI
4/15 A Bookworm’s Tale

Unscheduled stops:

Azurescape
Critical Mass
Rememorandom
The Atomic Spud

Confirmed: Shears, a “deft touch”; KiTE, a “rollicking sci-fi”"

According to this reviewer. And of course we would tend to agree.

KiTE book blog tour schedule

Haven’t read KiTE yet? What are you waiting for? KiTE is hard sci-fi with heart. Check these sites for reviews, a Shears interview, commenting and at least one giveaway at these book-loving blogs, starting about now and ongoing for a few weeks:

KiTE: Hard Sci-Fi with Heart

3/19 The Book Connection (Interview)
3/21 Designs by DeDe (Scrapbooking site? Hey, why not?)
3/23 The Bec-ster
3/24 Elizabeth Mueller
3/26 Husband and wife tandem reviews. Should be interesting: I Am  A Pistacio and Syncopated Musings
3/26 A Writer’s Eyes
3/26 J. Lloyd Morgan
3/30 The Musings of a Hopeful Writer
3/31 Karen Adair
4/1  Why Not? Because I Said So.
4/2 My Life in a Laptop
4/4  mormonhermitmom’s book habit
4/11 T.J. Types TMI
4/15 A Bookworm’s Tale

Reviews with no schedule, which like Billy Pilgrim, will be unstuck in time:

Azurescape
Critical Mass
Rememorandom
The Atomic Spud

Paranormal Mystery: The Doppelganger Song

The Doppelganger Song: With their long relationship on the verge of collapse, security consultant Frank and psychologist Holly team up as paranormal investigators. A teacher at an old private girls’ school in The Bronx, NY, has been severely injured. Was it a suicide attempt or is the teacher’s double causing trouble? Frank and Holly sort the eerie from the merely strange.

Available in all major ebook formats at Smashwords at a retro paperback price.

The Doppelganger Song by Caitlin Sumer & Bill Shears

The Doppelganger Song

Holly Ambrose, a beautiful and accomplished psychiatrist with a string of degrees as long as her arm, and Frank Zhelikhovsky, a Desert Storm vet and rock solid security consultant have been together for 11 years but lately their relationship has thinned. Professionally their individual consulting practices are flat, and personally they spend more time apart than together. Both possessed of a degree of skepticism they now find themselves cast in the roles of paranormal detectives.

Teacher Emma Ward went out the fourth floor window of the Gracewynne School, a private girls’ academy in the Bronx. Did she attempt suicide or was she pushed? Holly and Frank have been called in to investigate the incident and the situation. In the course of their investigation they encounter what seems to be a shape-shifter or doppelganger.

They find Emma in a hospital bed seriously injured, where she tells them her sad story, about how her desperation for even the shallowest love led to Scott, a city assistant prosecutor. She’s now sure he only dated her to get information on the school, either for a criminal investigation, for an extortion plan, or for both.

Frank and Holly take the case and soon discover that all is not right at the Gracewynne School, but their relationship may not survive long enough for them to root out the truth.

The Doppelgänger Song: Coming Soon

Here’s the cover of our next release, in all e-book formats…

THE DOPPELäNGER SONG. Frank and Holly’s first case. With their long relationship on the verge of collapse, security consultant Frank and psychologist Holly team up as paranormal investigators. A teacher at an old private girls’ school in The Bronx, NY, has been severely injured. Was it a suicide attempt or is the teacher’s double causing trouble? Frank and Holly sort the eerie from the merely strange.

The Doppelgänger Song Cover

Cover art by Raven Wanglund

Dystopian Lexicographies: 1984 and A Clockwork Orange

Edmond O'Brien and Donald Pleasence speak in 1984, from 1956

Two of the great literary dystopian novels rework the language itself to accomplish a keen disconnect with the contemporary reader’s known world. This high neologisticism (Itself a neologism. Neologed by me, just now.) has an effect that also serves to make the works timeless. It’s something that takes a deft touch and could easily be schlocked up if overdone. Many a sci-fi story has failed for misuse of this technique and become unpleasantly impenetrable or worse,  cutesy.

One that does well with it, of course,  is George Orwell in 1984. Here’s a link to The Newspeak Dictionary.

Most know of the 1984 film version famously released in the titular year of 1984. There is a lesser known, and now more rarely viewed, film version of 1984 released in the year 1956, with Edmond O’Brien as Winston Smith.

Where the early version failed with a love story that ” makes the unforgivable mistake of providing an ending that cuts clean across Orwell’s savage purpose”, the 1984 version may have failed partly for the opposite reason, for bludgeoning the romance up-frontally, so to speak, with distracting nudity, as well as its overextended torture scene. In many ways  the 1984 1984 appeared to have been an intentional refutation of the 1956 1984. Where O’Brien may have been a little bit on the fleshy side, John Hurt as Smith may be a little too gaunt, even for a dystopia. Both are talents worthy of the role, however.

Anthony Burgess put his own lexicon right in the back pages of the acutely prescient A Clockwork Orange, seeing the devolution of the language as a parallel to the devolution of Western civilization. Here’s the Nadsat Dictionary. You can draw you own conclusions as to why Burgess predicted a heavily Russian influence on the language of his ultra-violent UK teens of the near future.

On the slightly lighter side, a literary entity in itself, Ambrose Bierce’s Devil’s Dictionary illustrates that the maddening ironies and nearly intolerable absurdities of a dystopia may be just what we’ve been  moving through since his own time. An example:

SYMBOL, n. Something that is supposed to typify or stand for something else. Many symbols are mere “survivals” — things which having no longer any utility continue to exist because we have inherited the tendency to make them; as funereal urns carved on memorial monuments. They were once real urns holding the ashes of the dead. We cannot stop making them, but we can give them a name that conceals our helplessness.

Post-Apocalyptic Poe – The Masque of the Red Death

Poster from the Roger Corman film starring Vincent Price

On the 202nd anniversary of Edgar Allen Poe’s birth, below is a well done short film of his “The Masque of the Red Death”, first published, according to my The Portable Poe, in Graham’s Magazine, May 1842.

Here’s the full short story in various formats at Project Gutenberg.

And here’s a link to an interesting analysis of the imagery and symbolism.